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Whodunnit! March 2018 Anthony Shaffer, who died in 2001, was an adept at manipulating the old stage thriller cliches to produce something new and different. With Whodunnit! we have at the same time a classic country house murder mystery, a satire of the theatre and the whole whodunnit genre, and a chance for actors to get their teeth into some interesting roles. First staged in 1977 as The Case of the Oily Levantine,it was a success both in the West End and on Broadway.
Reviews: From Ian Potts' view of Whodunnit!: a witty parody/pastiche of detective fiction
It is a zombie whammy of a play ( a particular alcoholic beverage much loved by the Butler, who did the murder for once! ), fizzing with theatrical flourishes, verbal ingenuity, some very funny one liners (my favourite being Lady Tremurrain's ÃÅDiabetes is debilitating enough for me without the additional fatigues of fornication.") and greatly appreciated by a full house on the night. I particularly enjoyed the directorial inventions, like the comic business of the cleaner's deceptive dance at the beginning, the calling out of various vegetable names throughout and the cleaner sweeping off Capodistriou's head at the end of Act 1-a wonderful comic moment. I also liked the idea of the sergeant and a local civilian police officer engaging with the audience during the interval. The play had good pace and the actors ( who were uniformly good ) obviously enjoyed the over exaggerated style of performance in Act One, which gave way to a more naturalistic style in Act Two. This transition was handled well. They all performed with tremendous energy, good comic timing and were deserving of their enthusiastic reception by the audience. The play was directed with great panache and close attention to the required pace needed to make this play work. The costumes, wigs and moustaches were excellent and really helped the actors create their characters and, more importantly, make the unmasking at the beginning of Act Two more dramatic. The set created the appropriate period and lighting and sound all contributed well to the "thriller" atmosphere in the play. Following on from the excellent Roses of Eyam, the current performance has set a high bar for the forthcoming production of Much Ado About Nothing in November. I feel sure the Estuary Players will produce another zombie whammy! Well done to everyone. ![]() Photos: Click a thumbnail to view larger |
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